Form AIAI filmmaking

If you can imagine it, we can make it.

Characters, worlds and whole series, made with AI. Every film is written, cast, directed and finished by our team, like any other film.

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Why this exists · the problem

Most brands don’t run out of ideas. They run out of what a camera can do.

Someone pitches a character people would love, a world nobody has seen, a series customers come back for. Then reality walks in: sets to build, places you can’t reach, animation that takes a year. What ships is the safe version.

A great idea shouldn’t die in the planning meeting.

What we do about it · the solution

Keep the big idea.

With AI, the set doesn’t have to be built, the location doesn’t have to exist, and the animation doesn’t take a year. We pair it with real filmmaking craft, so the idea you pitched is the one you get.

The plan · pitch it, build it, finish it
Six boys auditioning for the lead, side by side
01

Pitch it

The idea, the audience, where it runs. Bring the wild version. Then every lead auditions, so you pick the face before anything is made.

02

We build it

Characters and sets locked, every move blocked in 3D, then built shot by shot in our own production tool. A person directs every shot.

03

We finish it

Edit, voices, music, sound and color, all in house. You get a finished film, not a folder of clips.

The work · grouped by the kind of AI production

See it hold up.

01

Animated commercials

Original characters in a family-feature animation style, built from character sheets so the same faces, sets and props hold shot to shot. Broad visual comedy, product on the end card.

A deodorant for boys who smell like boys. Plants wilt, the cat bolts, and Mom fixes it in nine shots and three rooms.

Kids’ toothpaste. Lily says she brushed. Dad asks her to breathe. Kids fib, breath doesn’t.

02

Photoreal live-action commercials

Shot like a real commercial with real-looking people, places and light: cast, location and wardrobe locked before a frame is generated, then cut and mixed in post.

A 12-year-old builds a skate ramp off the roof. Mom pulls into the driveway at exactly the wrong moment.

03

Series and episodic

Long-form AI storytelling released in episodes, where the craft is consistency across a whole season and finishing it to a broadcast standard.

Our own animated comedy, made entirely in the AI production tool we built. The same cast, the same office and the same faces, shot after shot and episode after episode. That consistency is what turns one cool clip into a series people come back for.

Read the case study

An AI-native fantasy series from Reprise Pictures. They brought us in to handle all of the post on Episode 4, so it plays like a finished film: edit, sound and finishing.

Read the case study
04

Short films

Cinematic short-form storytelling: a single idea carried by image, music and pace, built for a moment people share.

A short film for the country’s 250th birthday.

No ceiling

Make the thing you’ve only ever imagined.

The one people remember. Or the safe version, again.

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